Brobama: Writing Durrrrty

Yeah, I know, we all got massive broners watching Obama's Iowa Victory Speech on January 3rd but there was more than his affected proselytizing prose that rubbed my rod the wrong way.

First, is a booming baritone vibrato allowed in any public speaking venue outside of a pulpit or a lectern on the Mall?

Second, is a 26-year-old white kid named Jon Favreau really responsible for those bombastic phrases that draw such easy parallels to a white guy doing an impression of a black guy doing an impression of a black guy? Apparently, yes.

As evinced by this January 20th New York Times article everyone and their dad is in love with Obama's broratory skills. What would Obama say, they ask. My answer: Whatever Nixon already has.

Let's take a comparative look at Obama's Iowa Victory Speech from 2008 and Richard Nixon's second Republican nomination acceptance speech in 1972 and see if any similarities immediately jump out.

Nixon: "Speaking in a very personal sense, I express my deep gratitude to this convention for the tribute you have paid to the best campaigner in the Nixon family-my wife Pat. In honoring her, you have honored millions of women in America who have contributed in the past and will contribute in the future so very much to better government in this country."

Obama: "And while I'm at it on thank yous, I think it makes sense for me to thank the love of my life, the rock of the Obama family, the closer on the campaign trail.Give it up for Michelle Obama."

Nixon: "I want to say that you have inspired us with your enthusiasm, with your intelligence, with your dedication at this convention. You have made us realize that this is a year when we can prove the experts' predictions wrong..."

Obama: "You know, they said this day would never come. They said our sights were set too high...But on this January night, at this defining moment in history, you have done what the cynics said we couldn't do."

Nixon: "This Nation proudly calls itself the United States of America. Let us reject any philosophy that would make us the divided people of America.In that spirit, I address you tonight, my fellow Americans, not as a partisan of party, which would divide us, but as a partisan of principles, which can unite us...And I ask you, my fellow Americans, tonight to join us not in a coalition held together only by a desire to gain power. I ask you to join us as members of a new American majority bound together by our common ideals."

Obama: "In lines that stretched around schools and churches, in small towns and in big cities, you came together as Democrats, Republicans and independents, to stand up and say that we are one nation. We are one people...You said the time has come...To end the political strategy that's been all about division, and instead make it about addition. To build a coalition for change that stretches through red states and blue states."

Nixon: "The choice in this election is not between radical change and no change. The choice in this election is between change that works and change that won't work."

Obama: "We're choosing unity over division, and sending a powerful message that change is coming to America."

Nixon: "I ask you, my fellow Americans, to join our new majority not just in the cause of winning an election, but in achieving a hope that mankind has had since the beginning of civilization. Let us build a peace that our children and all the children of the world can enjoy for generations to come."

Obama: "Hope is the bedrock of this nation. The belief that our destiny will not be written for us, but by us, by all those men and women who are not content to settle for the world as it is, who have the courage to remake the world as it should be."

Bill Pullman: "We can't be consumed by our petty differences anymore. We will be united in our common interests...We will not go quietly into the night! We will not vanish without a fight! We're going to live on! We're going to survive! Today, we celebrate our Independence Day!"

Studio 60 Continues Not Sucking Streak

Until I learn the purpose of the TV blog "recaplet" and how to successfully write a good one this will be how I shall address the airings of most recent episodes.

Show: Studio 60 on the Sunset Strip
Air Date: Monday, January 22, 2007
Title: Monday
Writer: Aaron Sorkin *

Commentary: Without completely losing the Religious Right critique he's been using as the moral center of the show, a schtick a lot of viewers have grown tired of, Sorkin kicked off the second half of the show's first season with a strong story incorporating the finer aspects of his past work: intriguing overarching plot points, richly written women characters and the painful tenderness of unrequited love.

One interesting thing to take away from Monday's episode is Sorkin's maturing exploration of race. Predominantly a non-issue in Sports Night, race became an awkward scepter of self-righteousness which Sorkin used to pat his own back in certain episodes of the West Wing. In Monday's Studio 60, however, the developing story line of Simon Stiles, his race and his relationship with a young, black writer introduces a topic often noticed but rarely discussed - the black identity within the history of American comedy.

Perhaps it was of no oversight of his own that Sorkin wrote the scene between Simon Stiles and the new, black writer for an episode to air 30 years after the premier of that other great institution of American television, Roots.

Maybe the improbable is possible; Sorkin can be topical without being pedantic; maybe someday I'll learn to write a recaplet.

*Sorkin only gets a "created by" credit not a "teleplay by."

L.Y.L.A.S.

Ladies, you love Aaron Sorkin. And he loves you too. He may be the unanimous King of the TV drama over the past 8 years, inheriting the throne from such heavy weights as Dick Wolfe, Steven Bochco and David Milch, but Aaron Sorkin, as sm-ugly as he probably is, knows how to do the ladies. Between Amanda Peet's current character on Studio 60, Mary Louise Parker's feisty feminist on The West Wing and Felicity Huffman's TV sexecutive on Sports Night*, the Sorking has figured out how to write the sweet, rose-smelling shit out of his female characters.

In an industry continually blamed for propagating images of sexy bitches clamoring for the man and neurotic, single 30-somethings stressing over spinsterhood, Sorkin's mature, smart and sassy treatment of the women who populate his pages has become an indelible mark of his work. From Demi Moore in A Few Good Men to Annette Benning in The American President. From Stockard Channing to Allison Janney. From Anne Deavere Smith to that blubbering bitch Sam Seaborne. The verdict is clear like a mistrial against Colonel Jessup. Ladies Love A.S., and deep down in places you don't like to talk about at parties, you do too.

Yes, he's a smug ass-hole whose pedanticism rides that fine iline between intelligent and arrogant. Yes, his characters place far too much emphasis on institutionalized education (Simon Stiles went to Yale Drama School!), standardized test scores (Josh Lyman got a 760 on his SAT verbal!) and bourgeois tradition (Leo drinks Scotch!). Yes, Matt Albee is probably named after that dude who wrote "Who's Afraid of Virginia Woolf." But when Aaron Sorkin does Aaron Sorkin right he's the man who writes Josiah Bartlett's speeches, Lt. Kaffee's cross examinations and, most recently, this past Monday's Holiday episode of Studio 60 on the Sunset Strip.

I'll admit I criticized the first leg of his foray back into television. But can you blame me? Crazy Christians this. Jerry Falwell that. Matthew Albee as an avatar of me implies I not only got laid a lot but was probably high when I won my Emmies. That shit can get grating like Debra Messing doing arias.

But now everything seems to be falling into place. Monday night's episode saw deft story-telling married with that staple of Sorkin sensibilities - sincerity. We love you the most, Aaron, not when you're cynical characters lambaste the Christian right, but when you make us believe in the better side of hetero male partnerships, corporate responsibility, federal machinations and strong, independent women who still want to get down. I hate to say it, Aaron, but we Love You Like A Sis.

*TV on the INTERNETS couldn't think of a gratuitous pun to describe how awesome C.J. Craig as press secretary was but "sexretary" was briefly considered. Briefly.